Jumat, 26 Februari 2010

Download PDF Funny Man: Mel Brooks, by Patrick McGilligan

Download PDF Funny Man: Mel Brooks, by Patrick McGilligan

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Funny Man: Mel Brooks, by Patrick McGilligan

Funny Man: Mel Brooks, by Patrick McGilligan


Funny Man: Mel Brooks, by Patrick McGilligan


Download PDF Funny Man: Mel Brooks, by Patrick McGilligan

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Funny Man: Mel Brooks, by Patrick McGilligan

Review

“This superb account by film biographer McGilligan of Mel Brooks’s life and career persuasively sketches two sides of the comedian-filmmaker’s personality….. McGilligan’s exhaustive biography will be essential reading for anyone interested in Brooks or, more broadly, how Hollywood functioned during the second half of the 20th century.” (Publishers Weekly)“The author ably chronicles Brooks’ career arc from the Brooklyn kid born Melvin Kaminsky to the loudest member of Sid Caesar’s writing staff on NBC’s Your Show of Shows and Caesar’s Hour in the 1950s to the driving force behind some of the most successful film comedies of his time.” (Kirkus Reviews)“Well researched, engaging, and of interest to all of Brooks fans. McGilligan has found a good critical balance as he extols his subject’s comedic and artistic virtues while being forthright about Brooks’s occasional stubborn attitude toward creative and financial control. McGilligan is one of the few film biographers not to indulge in extensive criticism of the projects themselves, instead offering commentary through the contemporary reviews or financial results of a given work.” (Library Journal)“After a career spanning more than 60 years of writing, directing, producing, and acting in movies, TV, and on Broadway, somebody finally wrote the exhaustive biography about the life and career of Mel Brooks. Patrick McGilligan’s Funny Man: Mel Brooks tells the story of a man who has never stopped hustling in an almost pathological pursuit of the twin needs to entertain and be famous for it.” (New York)“Highly detailed....A veteran showbiz biographer, McGilligan has produced a book rich with knowledge of the industry and overflowing with the fruits of his research.” (Newsday)

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About the Author

Patrick McGilligan is the author of Alfred Hitchcock: A Life in Darkness and Light; Fritz Lang: The Nature of the Beast; and George Cukor: A Double Life; and books on the lives of directors Nicholas Ray, Robert Altman, and Oscar Micheaux, and actors James Cagney, Jack Nicholson, and Clint Eastwood. He also edited the acclaimed five-volume Backstory series of interviews with Hollywood screenwriters and (with Paul Buhle), the definitive Tender Comrades: A Backstory of the Hollywood Blacklist. He lives in Milwaukee, Wisconsin, not far from Kenosha, where Orson Welles was born.

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Product details

Hardcover: 640 pages

Publisher: Harper (March 19, 2019)

Language: English

ISBN-10: 0062560999

ISBN-13: 978-0062560995

Product Dimensions:

6 x 1.6 x 9 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#8,048 in Books (See Top 100 in Books)

My high school pal and I sneaked off one Friday night to see “Blazing Saddles.” We were 17, which made us ‘legal’ to get into an R-rated film. It still felt like an act of rebellion. Our parents wouldn’t have approved. The campfire scene alone was worth the ticket, but there was so much more.There’s so much more to Mel Brooks, too, and “Funny Man” is a serious biography about a seriously funny man. Behind the talk-show antics and the big-screen parodies is a self-made entertainer who worked hard to achieve and maintain his standing as one of the most reliable laugh-makers around. If dying is hard and comedy is harder – well, the business of comedy is harder still, if Mel’s career is any example.Fueling Mel’s rise from teenage Brooklyn wiseacre to national clown is an out-size ego. The talent hasn’t always been strong enough to support the ego. His career has had plenty of failures amid the enormous hits. But those hits – “Get Smart” in TV, “The 2,000-Year-Old Man” in recordings, “The Producers” on Broadway and a string of movies _ are pretty darn solid.Comedy isn’t all fun and games, and neither is Mel. He covets credit and at times seems to want more than his fair share. He covets the money that laughter generates and at times seems to want more than his fair share. His first shot at being a husband was a misfire and he wasn’t the best ex-husband either. Tread carefully: Mel is as well-armed with lawyers as he is with humor.(Mel does have an eye for and an appreciation of talent. For example, when no one else would take a chance on young David Lynch, Mel did. Lynch had the freedom to make “The Elephant Man” his way because Mel backed him up.)All this and more make Mel Brooks a real person, not just the character he’s created for our amusement. And author Patrick McGilligan makes “Funny Man” a fascinating read – a well-sourced, painstakingly researched tale of a success that has had plenty of high notes and more than a few sour ones. But I’ll take those laughs any day.

Yes writers are funny men and women, Brooks included, but the Brooks antics, his massive ego, his lack of character and his boorishness is nothing to celebrate.

I loved this book. Author Patrick McGilligan tells a great story of Mel Brooks’s life and career. But the book is more than that; it is also a history of American comedic television. I’m a big Brooks fan and I couldn’t put the book down. But there is a darker side to Brooks that McGilligan also describes that is equally as fascinating as Brooks's comedic side. As a biography in general I think this book is well worth reading. But for anyone familiar with Brooks’s work, it is a must read.Disclosure: I received a complimentary copy of this book via Edelweiss for review purposes.

First chapter listened to if the remaining are 1/3 as good it will still be the best book of the year. Gtg chapter two is on.

This is a nasty hit job. The author has virtually nothing positive to say about Brooks. He twists every fact, neutral or flattering so as to cast the harshest light on Brooks. On the audiobook, the reader is snide and waspish. Yech.

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